I have loved the typography project so far. I am in my element breaking down and dissecting every letter form. I have learned a lot and nothing more surprising than the amount of math a typeface may require. It seems math is particularly essential to "stricter typefaces" such as the roman fonts, but I am sure it can be found in all. To some extent every font has some numerical boundries. I think almost everyone was working with in a grid or some similar structure on the computer. But the consistency of angles and curves has proven to be a challenge for me in creating my font, but mastering them does wonders for unity. I believe the most mathematically intricate and challenging letters are "S" and "M." I knew "S" would be a pain because it demands perfect symmetry and precise arcs. "M" was more of a surprise to me. I didn't realize how exact the angles inside would have to be to harmonize the thick and thin strokes together and simultaneously not become too wide or too skinny. I apologize for a boring post but I commend you for reading through the whole thing. Ill look for something more interesting to make up for it.